LI (LXXXII) - Bibliografie & stuff Noise
Crackle-canvas / Desarting de Tom Verbruggen aka Toktek
Curentul noise devine o prezenta din ce in ce mai vizibila in peisajul muzicii contemporane si nu numai. Asa cum puteti vedea in clipul de mai sus diferentele dintre diferitele expresii artistice se incetoseaza, se intercaleaza, interpenetreaza - si asa mai departe - din ce in ce mai mult.
Muzica electronica este folosita la vernisaje de fotografie (vezi Specification.Fifteen), defineste o intreaga cultura vizuala si auditiva structurata pe nivele de interactiune diverse si, nu in ultimul rand, este un subiect de teoretizare la fel de serios ca arhitectura contemporana - cu care are destule elemente comune - sau psihopatologia aplicata 
. In cadrul serialului nostru LI, dar nu numai, am facut destule conexiuni de acest gen, asa ca nu va ramane decat sa rasfoiti prin posturile trecute pentru a le descoperi. Sau nu.
Pentru-astazi-si-nu-numai am pregatit o mica bibliografie referitoare la acest curent, pe care am sa incerc sa o imbogatesc in timp cu noi referinte - link-uri catre diverse situri specializate, recenzii, bloguri etc. Daca aveti propuneri de articole, volume colective, sau nu, care sa contina capitole, fragmente sau trimiteri relative la subiectul propus (incluse aici si link-uri tip Amazon, Google Books, Bloguri…) nu va “rusinati” sa le recomandati.
Torben Sangild - The Aesthetics of Noise
Joel Schalit - Japanoise
Chris - The agony of sound
David Bennett - Modernist and Postmodernist Arts of Noise: Part. I + Part. II
Mattias Huss - What is Japanese noise music?
Torben Sangild - Expressionist, Introvert and Minimal Noise
The Rita - Bodies Bear Traces of Carnal Violence. Recenzie
The Rita - Of Frogmen, Sharks & Black Gloved Killers.
Richard Ramirez / Skin Crime - Pleasure, Commerce & Disease. Recenzie
Remlap & Werewolf Jerusalem - Collaboration. Recenzie
Unlistenable Music - blog HNW / HN
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Curentul HNW:
No dynamics, no change, no development, no ideas - Vomir
Complete immersion into the wall is attempted and achieved, total lack of existence and nullification through sound.
[HNW is a model of identification]
A View From Nihil (interviu)
I Dreamt Of Her Beautiful Tentacles - Choked In The Woods. Recenzie
Total Slitting of Throats. Recenzie
Doodshoofd - Nyd. Recenzie
Harsh Noise Wall - Recenzii
Wall to wall Noise. The Rita: interviu
Buried In Sound - Interviu Vomir
Vomir - Untitled. Recenzie
The Hermetic Brotherhood Of the HNW - blog
V.A. - Brick By Brick - Recenzie
Griz+zlor - Heavy Masonry - Recenzie
Last.fm - Wall Noise
Harsh Noise Wall (HNW) upsets many people which I maintain here & now is not from a cochlean aesthetic but from a deeper neurosis (disease - dis-ease) from which they hide.. that is the hiding of modernity, culture, civilization which at other times they appear to find ecologically now and now too late - problematic. I live in a town, lying awake in bed I can hear the sound of a train, against the distant rumble of the traffic, and the noise of the water in the heating system, there is a stillness and in this each of these sounds signifies something. And of course that is the problem, and if there is a problem then there is a philosophy, whether you like it or not, that is unavoidable. “Why are there essents rather than nothing?” (Heidegger) the most important and deepest of questions at the source of all signification, the fundamental question of metaphysics, one which is never answered, for in any answer lies the question, which is why philosophy is always incomplete. Put elsewhere, this arises from the space of chora on which the thinker establishes a plane of immanence, that question, the most important of questions, its not the first, and is often ignored, and is never answered other than by the act of genuine ‘being’ in the world. It marks an essential break or return from modernity. Sound that ceases to signify will/must *be* this pre-oedipal chaos, and the opprobrium for such is the very act of repression which is the un-curable psychosis of the ego and super-ego - i.e. culture, music, art, even philosophy itself. I have followed “the progress” of Mixturizer away from ego/super-ego towards- but not yet lacking all structure and signification, a space where Vomir ‘moves’ - i.e. ‘Chora’ “The earliest stage in your psychosexual development . this pre-lingual stage of development. You did not distinguish your own self .. the stage, then, when you were closest to the pure materiality of existence, or what Lacan terms “the Real.” . ” ‘Untitled’, the overcoming, overwriting of the repressions of ego and super-ego - which is music, by that which “never alters its characteristics.. the unchanging form, uncreated and indestructible, admitting no modification and entering no combination..” -( Plato Timaeus) If my argument here is true and HNW is ‘the real’ what does this imply for the other..what then does merit this cassette? than it has something beyond metaphysics? (Jliat) Din VITAL WEEKLY: recenzie la VOMIR / MIXTURIZER UNTITLED NEGRATIVO (Cassette by R.O.N.F. Records). [Aici]
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Studiouri specializate pe Noise / HNW si alte subgenuri:
Monolithische Aktion. Sustained Radicalism - blog/label NHW
H series - label HNW
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Artisti:
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