E sambata. A fine day, a carriage sprints  between this world and the next, vorba lui Batou.

Plecand de la supozitia - absolut corecta de altfel, atata timp cat nimeni nu o contrazice cu argumente extrem de bine sustinute - ca ati vazut Ghost in the Shell si va numarati printre cei mai inversunati fani ai acestei incredibil de superbe serii, mi-am spus sa vi-l prezint astazi pe Bellmer, maestrul papusar.

Ce legatura este intre artistul polonez de limba germana si anime-ul japonez mai-sus-mentionata?

The female robots in the Ghost in the Shell 2: Innocence are based on Bellmer’s design. In one scene, his name is shown in an open book. There was even a doll created for the movie modeled in the same general style. His book The Doll appears briefly in the movie as a plot device.

Mamoru Oshii, regizorul si ideologul acestei fantastice serii, s-a indragostit inca de pe vremea studentiei de creatiile suprarealistului polonez, el spunand intr-un interviu ca

Each body part of Bellmer’s ball-jointed doll is crafted so beautifully, you never get bored looking at it [aici].

Hans spunea o chestie extraordinara:

Le corps est comparable à une phrase qui vous inciterait à la désarticuler pour que se recomposent, à travers une série d’anagrammes sans fin, ses contenus véritables.

In anul 2006 a aparut la editura Gallimard un album dedicat lumii lui Bellmer ce contine fotografii, schite, texte, sculpturi si picturi:

Iar in 1966 a aparut la editura Denoél un album dedicat doar desenelor Maestrului. Cateva imagini din aceasta editie de acum bibliofila:

Odihneasca-se in fraza netrunchiata!

Cristian Paul, Ghosts in Bellmer’s shells. One thing leads to [many] another[s]. Designer din Bucuresti. Noua sa adresa: Kit.

Peter Williams, In Search of Innocence. Recenzie la Ghost in the Shell 2: Innocence.

Editia in limba engleza a Papusii lui Bellmer, aici.

Despre un alt artist polonez, in arta caruia influenta lui Bellmer este evidenta, am scris aici.

Fata cu oferte tentante apare din nou!

The vagina is rich and sweet.

“Move on me,” he says.

It is entered through a rose.

My vaginal flora taste subtle on your lips and tongue.

  • Joanna Frueh, Vaginal Aesthetics, in Hypatia, Volume 18, Number 4, Fall/Winter 2003, pp. 137-158 [de aici am preluat si strofa de mai sus].
  • Christine Mehring, Hans Bellmer, History, and Psychoanalysis, in  Modernism/modernity, Volume 8, Number 4, November 2001, pp. 681-686. O recenzie la doua volume: Sue Taylor, Hans Bellmer: The Anatomy of Anxiety (2000) + Therese Lichtenstein, Behind Closed Doors: The Art of Hans Bellmer (2001).

Catre Abis: Ai cumva articolul lui Markus Hallensleben, From Rilke to Stelarc: Cross-Mapping Body Figurations in Early Twentieth-Century German Literature with Early Twenty-First-Century Body Performances, din Seminar: A Journal of Germanic Studies, Volume 43, Number 4, November 2007, pp. 441-452? Cu mii de multumiri, evident.