Category Archives: Ziare & Reviste & Carti



Rogier van der Weyden – The Descent from the Cross (c. 1435)

“I live a living death, my flesh is wounded, bleeding, cadaverized, my rhythm slowed down or interrupted, time has been erased or bloated, absorbed into sorrow […] I owe a supreme, metaphysical lucidity to my depression. On the frontiers of life and death, occasionally I have the arrogant feeling of being witness to the meaningless of Being, of revealing the absurdity of bonds and beings.”

– Julia Kristeva

Leo’ si Kristeva


Leonardo da Vinci – Virgin and Child with St. Anne (c. 1503)

Leonardo […] envisioned a female Trinity […] The angle of Mary’s knee points to the oval shape created by her arms. In the group of three feet, the one on the far left creates a mirror image of Mary’s right foot. Finally, in the heart of the construction, the curves of Mary’s body draw the angles toward an ellipse that points to Jesus, who completes the curve by turning his head. He is aided by the lamb, who reinforces this backward gaze […] [T]he Louvre canvas depicts the source of the history of Christianity as mutual mirror-effects.

– Julia Kristeva, New Maladies of the Soul (1995).


Uneori ni se pare mai putin decat credem.


“If he is such an expert on Dante, let him lecture on Dante, to the Studiolo.”

Sogliato hissed the name as though it were the Inquisition.

“Let him face them extempore, next Friday if he can.”

The Studiolo, named for an ornate private study, was a small, fierce group of scholars who had ruined a number of academic reputations and met often in the Palazzo Vecchio. Preparing for them was regarded as a considerable chore, appearing before them a peril.

– Thomas Harris, Hannibal.